i did this drawing for the new “unbound: gender in asia” issue of the kyoto journal. i originally submitted this along with “all i can see” for possible cover images. i guess they didn’t want so many nipples on the cover: “all i can see” didn’t get used at all, and this drawing is on the table of contents page. it’s strange, because i think “all i can see” is a way better drawing than this one. that’s okay, it showed up in the interview about me in the sheaf.
the actual cover of the kyoto journal issue shows a collection of women’s shoes. it was published back in november, but i couldn’t find it in any bookstores in saskatoon (it’s distributed all over the world). i had to wait to receive my copy from japan.
as a supplement to the issue, some of my drawings are being shown on the kyoto journal online. i chose the two drawings that i did on purpose for this submission, plus some other drawings that ended up having something to do with gender. or at least, they’re nipple-related.
i thought about the theme of gender when i was drawing “forbidden fruits” and “all i can see”. i don’t usually think about anything when i’m drawing, except drawing (and curb your enthusiasm, which i watch a lot while i’m drawing). i don’t really know what this drawing “means”, but that’s what i drew.
the kyoto journal is written in english, so you can read it too. look for it in your local bookstore. if you find it in saskatoon, let me know!