i’m offering this drawing for the CFCR art auction fundraiser.  CFCR is saskatoon’s community radio station and this art auction is an important way people can support them.  other local artists are also taking part, so if you’re around in saskatoon today, please come out and show your support for CFCR.

(sold)

“Artist for Alternative Radio”
community radio’s 6th annual art auction
CFCR Art Auction Fundraiser

7:00pm - viewing, silent auction, and reception
8:30pm - live auction

tickets: $25 per person ($15 tax receipt)

November 15, Saturday at Riverside Golf and Country Club
3180 Grasswood Road West
Saskatoon SK

this will be my first art fair since the birth of elijah. i’m really looking forward to this.

city park artists showcase
hosted by city park community association

Featured City Park Artists are: Chris Savage— Ivor Jones— Judith Bensen— David Geary— Lia Sunshine— Celine Schmidt— City Park Cycle — Wendy Waters — Kathyrn Trembach — Lynn McGinnis (Musician) — Shannon Brunner — Shakespeare on the Saskatchewan — CFCR — Taylor Leedahl — Mike Magnussen — Kris Engstrom — Priscella Settee — Yuka Yamaguchi — City Park Preschool —CPCA — Milton Taylor (Photographer) — City Park Collegiate Art department — Tannis Pratt — Craig Nelson — Tammy Boehmer — Pete Burgess

Music by:

Sean Hogan David Hutton Paul Tobin

Poetry performance by:

Taylor Leedahl

Date:
Friday, April 18, 2008
Time:
7:00pm - 10:00pm
Location:
City Park Collegiate- Gymnasium
Street:
820 9th Ave North
City/Town:
Saskatoon, SK

$10 admission ( also includes coffee/tea/punch and samples of food)
Kids under 12 free

there is a review of my show at the mendel art gallery in this week’s edition of planet S, saskatoon’s city magazine. i’m happy to find that the reviewer understands what i’m doing, with the review titled “the beauty of grotesque”. the reviewer says “[my drawings] are seeming to be part of a larger whole that Yamaguchi is pointing toward”. i think my drawings make sense when they are seen all together, as part of one experience. that’s why i like to hang as many drawings on one wall as possible, maybe not even using frames so they can all be close together. that way, nothing is separating my drawings from each other, and also, i don’t have to buy frames.

i also like the ending part: “This juxtaposition, creating a place where we can neither be only horrified or simply think happy, cutesy thoughts makes Yamaguchi’s work both enjoyable and memorable.” i can’t separate those feelings in my mind. they are not opposites to me, they are all living in my head at the same time. i guess my art work is kind of like “yami-nabe style”. everything is all mixed together, and you never know what you’re going to get.

here is the review:

The Beauty Of Grotesque

YAMAGUCHI’S WORK BLURS LINE BETWEEN HUMOUR, HORROR
by Bart Gazzola

PERSONAL :: POLITICAL
YUKA YAMAGUCHI, DAVE GEARY
MENDEL ART GALLERY
RUNS TO SUNDAY 3

Yuka Yamaguchi is currently exhibiting at the Mendel Art Gallery, through an ongoing gallery project titled “Artists by Artists.” The project pairs an experienced artist (in this case, Yuka is paired with noted Saskatoon artist and frequent Planet S contributor extraordinaire Dave Geary) with a more emerging one, with the resulting work exhibited in the lower space at the Mendel.

Over the past few years, the concept has been interpreted in different ways by the different participants: sometimes the result features solely the work of the junior artist, and other times a collaborative installation takes place. In regards to the current installation, Yamaguchi explains on her website that the pair made the decision to collaborate on Personal : Political because Geary’s work, with its propaganda motifs and socialist imagery is the latter, whereas Yamaguchi’s work seems to be very much biographical—a personal narrative that is being shared with the viewer.

Yamaguchi was also one of a number of artists who exhibited at the now-defunct Royal Red Gallery: her small, delicate drawings immediately pulled the viewer in, even in that massive space—and they’re as well-executed as they are disturbing. Her bio describes her as a self-taught artist, from Kobe, Japan, stating that “her drawings are inward-looking, reaching both extremes of cute and grotesque.” Very simply done, with coloured pencil or ballpoint pen—and always seeming to be part of a larger whole that Yamaguchi is pointing towards—her works are indicators that sometimes art school can be the worst thing for a potential artist. Her unique, bizarre vision could easily have been lost there, or subjected to the usual problem of instructors wanting to create younger versions of themselves.

Works such as “New Heartbeat”, where a young girl holds her very anatomically correct heart to her ear in a gesture of love or listening, or “After All…”, where a boy is partly flayed by what looks like a common kitchen utensil, easily fit within the grotesque. But “Chicken Fight”, or “Self Portrait, Age 17”, are both . . . well, cute. Not a word I use often, but it applies here.

Some works incorporate both of these seemingly disparate concepts, such as “Inseparable”, where a cute, pre-teen couple are tying themselves together by their respective hanging tendons and muscles, which hang in ribbons from their severed calves. Both are smiling, and seem pleased with the arrangement, and I am reminded of the Japanese horror film Audition, which was really a love story, with the classic admonition that “you must love only me.” “All I Can See” is both creepy and very, very funny, and will make some men reconsider before they carry on a conversation with a woman’s breasts instead of her face.

On her website (www.plastiquemonkey.com) she explains that her latest endeavour is the “turn everything around you cute and fun” project, and her sense of humour is clear in her work, although sometimes that humour at play is somewhat black. This juxtaposition, creating a place where we can neither be only horrified or simply think happy, cutesy thoughts makes Yamaguchi’s work both enjoyable and memorable.

also, it looks like i am on Bravo!News this week. i was interviewed by them back in april. i don’t have a cable connection at the moment (we’re moving this week), so i don’t know. i was also interviewed by the local Shaw TV channel. the interview aired in mid-april. again, i didn’t watch tv enough to catch it. if you are watching tv sometime tomorrow in canada, you might see me actually talking.

i was contacted by the editor of a brand new local gender magazine called “roleplay” and asked to contribute a drawing. a lot of my drawings might have gender themes, but i don’t plan that.

one of my drawings does have a deliberate gender theme: called “all i can see“. i drew it for the cover of the kyoto journal’s gender in asia issue, but they didn’t use it. this drawing keeps getting linked from different blogs, and lots of people come from stumbleupon to see it (my gallery pages with this drawing now have over 20,000 views). people seem to react strongly to it. a lot of people think the drawing is making fun of how much boys like breasts. i actually never thought of it that way when i was drawing it.

the editor asked me to write a blurb about this drawing. i sent him something i wrote earlier, from my website:

in my drawing, a boy is having breasts sewn over his eyes. he’s happy about it. he is being made more feminine. usually, that means taking something away (castration). but this is an addition, not a subtraction. i think femininity, including traditional parts like motherhood, is a positive thing. men and women are both better off if they can be feminine. not instead of other things, but in addition to them.

this magazine is available at a local bookstore, turning the tide, and USSU women’s and LGBTA centers.

because it’s so popular, i made a print of this drawing. you can buy it from my online shop.