voice

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you probably know this, but babies cry. they don’t just cry. they cry like the universe is ending and our life is actually a total farce. elijah barely cried at all during the first couple of days, while we were still in hospital. paul and i were saying to each other, ‘hey, our baby doesn’t cry!’. needless to say, we were fooling ourselves. he started crying hard in our car driving home from the hospital. his face was so red that i thought he was feeling pain or something. it was probably him feeling something different in the air that would tell him he was no longer in the womb. it must have been pretty shocking — i thought he’d blow out the windows. i’m pretty sure his crying voice reached the top of mount everest.

when he was hungry, he wouldn’t cry too hard and his crying would cease when i fed him. but as the night fell and he got tired, he would cry harder and harder. building from loud crying up to ‘i can’t believe anyone is capable of crying this hard’ crying. paul used to say it was like a gear shift; 1st gear: mild conversational crying, up to 5th gear: unbelievable death-metal crying. i was thinking it was more like 28th gear. i used to visualize being blown away by the sound of his screaming and floating in the soundless universe.

he would start crying around 8pm. he was very punctual – true yamato spirit. paul and i used to joke around by counting down to 8pm and bang! he would start crying. it wasn’t that precise but close enough. we looked for an on/off switch or a volume dial in his body, but we couldn’t find anything like that. i guess babies in canada don’t come with such features. so we did our best to calm him down and make him comfortable by rocking and walking and cuddling etc. some people said he was colicky, but i think he was just sensitive and punctual. after pondering why he was crying that hard, paul and i came to think that he needed to get his extra energy out to help himself fall asleep.

it must have been hard for him to get used to a different situation – from the womb to the outside world. as an experiment, i sank my body in a warm bath and got out from it and saw how it would feel. it felt very cold and alone since there was nothing wrapping me anymore. maybe that’s how he felt too.

once he fell asleep, he usually didn’t cry hard in the middle of night, only when he wanted to be fed (every 2 to 3 hours). but suddenly, when he was four months old, he started crying all day and all night. his first tooth was coming in. no wonder he was putting his fingers or whole fist in his tiny mouth a lot. it must have been very painful and uncomfortable. after a few days, he settled down back to his usual pattern.

the magical day came at the beginning of the fifth month, in november. he just stopped crying that — cold turkey. he was like a different person. he still cries when he can’t get what he wants, but now he doesn’t just cry and cry for no reason. nowadays, when he cries, he sounds angry, not helpless.

to be honest, it has been pretty hard to get used his crying voice and to have to deal with all of the things he wants every single day. i didn’t want to get too stressed out because i didn’t want elijah to get a negative feeling. so i’ve had to find a way to go through this period somewhat positively.

mentality-wise:

  • i used to ask elijah to cry even harder. since it’s an endurance game in a way, if i tried to stop him from crying, it would just accelerate my stress level because sometimes he just didn’t stop crying. so i said to him, ‘go ahead and cry. i know it’s a tough life. it’s okay to cry’. he would go ahead to cry even harder, but wish granted, i didn’t feel as bad as before.
  • paul would pretend to cry even harder than elijah could. elijah realized he was not the only one who was crying – no prince treatment. he seemed shocked by it – rival!
  • i would use his crying time for my exercise hour. since i had to rock and walk him for awhile, i might as well use the time for my own sake. i would work on my legs by doing squats. the longer he cried, the better. i got some exercise done – hurrah!
  • teamwork. when i thought i couldn’t handle it, i gave elijah to paul and got the hell out of the room and be alone. paul was working long hours so this chance didn’t come very often, but even a few minutes of alone time refreshed me a lot and felt energized to go back to take care of him.

equipment and technique:

  • hot sling. i used this a lot when elijah was very tiny. it wrapped him as if he was in the womb. he looked comfortable and right down to sleep. he outgrown this very quickly. i probably used it for a few months only.
  • baby bjorn. this was useful since paul was able to put it on too. very comfortable. shoulder supports let us carry him without much pain. i used it to go for a walk everyday. he would stop crying once he was outside — once again, uchi-soto yamato spirit! and also we used it whenever we took him with us to buy groceries.
  • bouncing ball. i have a big white exercise ball that i bought for decorative purposes. turns out this was very useful to rock elijah as i was able to rest my arms on my lap.
  • swing. we should have bought one earlier — we got it just a month before he learned to sit up and pull himself out of it. elijah seemed to like being rocked to sleep — he had a few afternoon naps with this.
  • making white noise by saying gentle and rhythmic ’shhhhh’ sound in his ear. this was maybe the best trick. it always helped him calm down. but now that he’s older, if i try this he just cries harder.

if you are new parents and going through this tough period, hang in there. it’s tough, but this period won’t last forever. soon, you’ll be seeing happy baby smiles all around. ganbatte kudasai!

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stunning short film made by students at ESMA school of the arts, in montpellier, france. it won the school’s top prize for student film.

i don’t usually like 3D computer animation, but this is beautiful. and even more, i like the 2D side-to-side animation style during the storytelling.

the story is based on an apache myth, about a time when the sky was too low and men had to walk bent over, looking down at their feet. an elder of the tribe sits around the campfire with the children and tells them this story. his voice is so warm and interesting, you’ll want to watch right to the end to see how the story turns out.

the whole thing is absolutely beautiful, like something by miyazaki hayao. it’s going to be my favorite for a long time.

(via the always amazing DeK at ticklebooth)

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design enterprise voices
(click the image to go to designenterprise.com)

i was interviewed by a malaysian design website called design enterprise. they contacted me back in june, but i had just given birth at the time so it took me awhile to finish answering their detailed questions (33 questions!). it’s good that people ask me a lot of questions because i’m not good at explaining what i do. i tend to avoid talking about it. when people ask me some questions and give me a deadline, it forces me to think about it.

they asked to use photos from my blog. i told them to use whatever images that they would like. i like how they chose images that match colour-wise and composition-wise. i like stylish design people.

anyway, here are my answers ::

DE: Can you tell us a little about yourself?
Y : I was born in japan. I currently live in saskatoon, canada. I like drawing and that’s what I do.

DE : Who has been most influential in your progress as an Artist?
Y : Whoever makes me really mad. I don’t really know what is meant by “influence” in this kind of question. I don’t think about what other people are doing, and I don’t really know much about art history or theory. I draw for myself. When someone makes me mad, I draw more.

DE : When did you first think to become an artist?
Y : I’m still not sure… I’ve always had the same mindset about doing what I want to do, because I want to do it. I’ve been drawing off and on since I was a child, but I only started drawing seriously about 3 years ago. My technique has changed a lot, but my ideas are the same.

DE : What would you like to convey through your drawing? What do you want people to feel?
Y : I’m not trying to send a message. I don’t know how people will react to my work. For me, my drawings have contradictions and mixed emotions, so I can’t say anything clear about them. Maybe some people will just want to take a cold shower after looking at my drawings.

DE : What material or tools do you use for your drawings? Do you intend to experiment with other materials or tools in the near future?
Y : I like to use colour pencils, because they are adorable. Anybody can use them if they want to try. At the same time, there are so many things you can do with just pencils – so many possibilities in pencils. Colouring with colour pencils, you have to start with light colours and add in the darkness. That’s the direction i like.

DE : How long is the duration needed for you to produce an artwork from scratch?
Y : It takes me longer when I do more colouring. It only takes me a couple minutes to do the drawing as outlines. Some of my bigger drawings took just a couple hours, some took a few days.

DE : Any kinds of new style are you going to try?
Y : I try to stick with a nonchalant style – accidental drawings. When I try too hard, my drawings are not my best. When a random image comes to mind and i enjoy drawing it, the result is very good. I think because I’m just enjoying the experience of drawing and not trying to come up with a specific result. The more you draw, the easier it is to get trapped in the “working too hard” mode.

DE : Do you sell the printable version or original artwork of yours?
Y : I started selling my work at street fairs and art festivals when i came to Saskatoon. I also opened an online shop in 2006. People from around the world can come to my online shop and buy my prints, original drawings, postcards, and useless toys.

DE : Where do you get your inspiration from?
Y : Images appear in my mind whenever I’m sad, mad, happy, hurt, or sentimental – which happens a lot. I don’t have any tricks to come up with ideas. I spend most of my time lost in my own mind. Ideas just come to me as I’m going through my daily life, even though I can’t see the connection between what I’m doing and those images. As soon as I get an image, I try to draw it right away. I don’t think much about what it means. I just start drawing, paying attention to my technique, the colours, and the facial expressions. What you see in my drawings is what I’ve got in my mind.

DE : Mind to share with us the work that you are most proud of?
Y : It’s a drawing called “my secret elephant”. I wanted to draw the girl’s face looking so peaceful, and it came out exactly how I had it in mind. I love her expression.

DE : Do you involve in any form of collaboration with other designer or artist? If yes, what is it?
Y : No. I’m not good at working with other people.

DE : How long did it take for you to develop your own style? How does it begin?
Y : I didn’t have an “ideal style” in mind when I started drawing. From the beginning, I never drew backgrounds, because I thought they would interfere with the focus on the main figures in my drawing. When you look at someone you really love, you don’t notice the background, anyway.

DE : From your point of view, what is the difference between Japanese design from any other country in the East?
Y : I’m not sure.

DE : Which is your next Asian country’s design you would like to pay more attention?
Y : I don’t know.

DE : Have you come across any talented and bright artist that we should pay attention on him/her?
Y : I like eric bostrom’s work. He has a website : http://diversionmary.com. He uses ballpoint pens like magic – very very beautiful.

DE : What is art to you?
Y : Art is like being a farmer. I’m farming my brain and my heart and my hand to grow something. After that, it’s up to other people to cook it in different recipes and digest it for themselves.

DE : Does your work as an artist affects your lifestyle? How?
Y : It means i can stay at home with my baby and still do the work i want to do.

DE : Are you working on anything special right now?
Y : I’m working on drawings for a group show in portland, oregon.

DE : Are you satisfied with your current achievement?
Y : I don’t know. I like most of my drawings, and I want to keep drawing. I don’t know how I’ll change what I’m doing. New people keep discovering my work online, and whenever I show in a new location. Some of them email me and say my drawings made their day. I think that’s my achievement and I’m very happy about it. I want to show my work to as many people as possible.

DE : What is the biggest satisfaction for an artist?
Y : When people look right into my eyes and tell me how much they love my drawings.

DE : What is your new experience of lives since you have a newcomer?
Y : You mean the baby? Life has been super-terrific with my baby. Everything about it is new for me and everything is interesting, even when I’m tired or it’s difficult.

DE : What is your life purpose?
Y : To become a good person. I mean a really good person, not just nice.

DE : What would be a special treat for you?
Y : Going back to japan with my family.

DE : What is your viewpoint on relationship?
Y : I don’t have a viewpoint. I do believe in love at first sight, because it happened to me.

DE : Are you’re a right-handed or left-handed person? Does it affect your creativity?
Y : I’m right-handed. I wish I had a middle arm. My creativity would be more balanced.

DE : Are you coffee lover or tea lover?
Y : I drink water or milk.

DE : Which country you would like to visit? Why?
Y : I’ve always wanted to go to Italy. I’m saving all my pennies to go there.

DE : How can you make the world a better place to live?
Y : I wish I knew how to answer this.

DE : What cant you live without?
Y : Paul – my husband.

DE : What is your favorite day of the week? Why?
Y : Tuesday – It’s an underrated day…

DE : What books or magazines do you normally read? Why?
Y : I like non fiction. I don’t usually pay attention to reality, so I’m always surprised to find out the truth about something.

DE : From the elements, which are Sky, Tree, River, Sea, Cloud, Mountain and Wing, which best describes you? Why?
Y : I’m a cloud, because I keep changing my mind.

DE : Word of advice to all the artists and designers out there?
Y : Don’t listen to anyone’s advice. Just do what you want.

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Just because the everyday objects around you don’t say much, doesn’t mean they aren’t feeling something. Maybe they’re just waiting for someone to pay attention to them, for a change.

The Rahmens are the comedy duo responsible for the “Japanese Tradition: Sushi” documentary video, which did so much to explain the truth about Japanese culture to people around the world. The Rahmens know the secret language of inanimate objects, and they can translate it into Japanese. Objects have lives that are full of pain, so there’s a lot of shouting. It’s a good thing we don’t have to listen to them all the time…

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originally rickegee posted this on VIDEOSIFT.

so good. i must share it with everyone!

cross-posted on TV in Japan.

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(click the image to view close up)

nothing comes easy.

…i’m looking for someone to read the book to me.
maybe these guys can help??

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